Hildreth Meière Documentary Series - Watch Trailer
Commissioned by: Taylor & FisherMedium: oil and gilt on wood panelExecuted by: Hildreth Meière
Altarpiece with Madonna and Child on left; Christ and His Mother in center; the Boy and His Mother on right
Hildreth Meière painted an altarpiece for St. Mark’s-on-the-Hill during the Great Depression in 1933. The altarpiece was commissioned by Taylor & Fisher, the firm also responsible for Meière’s decoration of St. Katharine of Sienna in Baltimore.
The iconography of the triptych is complex. The three central scenes are described in a document entitled “In Memory of a Mother; The Reredos and the Altar; Jesus and His Mother.” The rest of the iconography is detailed in “Diagram of symbols.”
"Diagram of Symbols"
On the left panel to the north, Meière depicted the Madonna and Child; in the center panel, Christ and His Mother, together with an inscription from John 19: 26-27: “Woman Behold thy son; Behold thy Mother;” and on the right panel to the south, the Boy and His Mother.
On left: Madonna and Child; in center: Christ and His Mother; on right: the Boy and His Mother
Three small scenes on the predella include the Adoration of the Magi on the left:
Adoration of the Magi
in the center, Melchizedek offering food and wine to Abraham following the successful expedition against Chedorlaomer (from Genesis 14:18-19):
Melchizedek offering food and wine to Abraham
and the Transfiguration on the right:
Transfiguration
Surrounding the main scenes are twenty-five symbols depicting the life of Christ from the Annunciation to his Ascension. Each is painted onto a carved wooden shield that forms part of the elaborately carved altarpiece. Three examples include a Lily symbolizing the Annunciation; Jacob’s Ladder symbolizing the Incarnation; and a Shepherd symbolizing the Announcement:
Annunciation Lily
Jacob’s Ladder
A Shepherd
On the doors of the triptych are the words of a hymn surrounded by shields representing the Christian Church Year. Additional symbols represent Mary’s qualities. Bay leaves on the back of the doors represent sorrow at Christ’s untimely death.
Altarpiece with open doors