Hildreth Meière Documentary Series - Watch Trailer
Commissioned by: Nathan C. Wyeth for the PWAArtistic Collaborator: KlimoMedium: glazed terra cotta tileExecuted by: Atlantic Terra Cotta Company
Health and Welfare, Hildreth Meière’s eighty-one-foot Art Deco frieze in glazed terra cotta, decorates the back wall of the east interior open-air courtyard at the Municipal Center in Washington, DC. Meière was awarded the project through a competition sponsored by the Public Works Administration (PWA). A frieze on the wall of the west interior open-air courtyard was designed by Waylande Gregory.
In a series of ten narrative vignettes, the frieze depicts the health benefits and social services available to Washington residents in 1941:1
Klimo, a sculptor at the Atlantic Terra Cotta Company, executed the figures in contrasting blocks of color in high and sunken relief:
As with every medium for which Meière designed, she relied upon trained craftsmen to execute her cartoons. Collaboration was key to a work’s success. Meière was lavish in her praise of sculptor Klimo at the Atlantic Terra Cotta Company. As she explained during an interview in 1941:
The designer appreciates the contribution the good craftsman makes; he is not jealous of it but prays for the greater glory that creative craftsmanship can bring to the work.2
See descriptions by James M. Goode, The Outdoor Sculpture of Washington, D.C. (Washington, D.C.: Smithsonian Institution Press, 1974): 226, and a full discussion of the frieze in Catherine Coleman Brawer and Kathleen Murphy Skolnik, The Art Deco Murals of Hildreth Meière (New York: Andrea Monfried Editions, 2014):172-77.
Ernest W. Watson, ”Hildreth Meière, Mural Painter: An Interview with Illustrations of Her Work,” American Artist 5: 7 (September 1941): 8.
Henry P. Daly Building
(Municipal Building)
300 Indiana Avenue, NW
Washington, DC 20001