Hildreth Meière Documentary Series - Watch Trailer
Commissioned by: Taylor & FisherMedium: oil and gilt on wood panelExecuted by: Hildreth Meière
Hildreth Meière painted an altarpiece for St. Mark’s-on-the-Hill during the Great Depression in 1933. The altarpiece was commissioned by Taylor & Fisher, the firm also responsible for Meière’s decoration of St. Katharine of Sienna in Baltimore.
The iconography of the triptych is complex. The three central scenes are described in a document entitled “In Memory of a Mother; The Reredos and the Altar; Jesus and His Mother.” The rest of the iconography is detailed in “Diagram of symbols.”
On the left panel to the north, Meière depicted the Madonna and Child; in the center panel, Christ and His Mother, together with an inscription from John 19: 26-27: “Woman Behold thy son; Behold thy Mother;” and on the right panel to the south, the Boy and His Mother.
Three small scenes on the predella include the Adoration of the Magi on the left:
in the center, Melchizedek offering food and wine to Abraham following the successful expedition against Chedorlaomer (from Genesis 14:18-19):
and the Transfiguration on the right:
Surrounding the main scenes are twenty-five symbols depicting the life of Christ from the Annunciation to his Ascension. Each is painted onto a carved wooden shield that forms part of the elaborately carved altarpiece. Three examples include a Lily symbolizing the Annunciation; Jacob’s Ladder symbolizing the Incarnation; and a Shepherd symbolizing the Announcement:
On the doors of the triptych are the words of a hymn surrounded by shields representing the Christian Church Year. Additional symbols represent Mary’s qualities. Bay leaves on the back of the doors represent sorrow at Christ’s untimely death.